Roots of the Swamp Thing: Your Portal to the Universe of Swamp Thing, The Un-Men and John Constantine: Hellblazer 

The Timeline
• Part 1: Before Year 1
• Part 2: Year 1 to 1899
• Part 3: 1900 to 1969
• Part 4: 1970 to 1979
• Part 5: 1980 to 1984
• Part 6: 1985 to 1988
• Part 7: 1989 to 1991
• Part 8: 1992 to 1994
• Part 9: 1995 to 1999
• Part 10: 2000 to Present

Born on the Bayou
A history and introduction

Creature Features
Articles and feature stories

Cover Gallery
Judge the books by the covers

In the Swamplight
Issue-by-issue breakdowns

Elemental Lineage
Past lives and other entities

Upcoming Releases
Coming to a bog near you

What's New Bayou?
Archived news updates

About Me
Portrait of a swamp-nerd

Homepage
Go back to the roots

Contact Me
Comments, corrections & tubers

Thanks to Joe Bongiorno, who first dragged me kicking and screaming into the mucky mythos of Swamp Thing, and to Paul Giachetti, who created the amazing header banner.

Thanks also to reader 'Alec Holland,' whose support has been invaluable; Mike Sterling, for promoting Swamp Thing and this site; and Kevin Church, for his excellent optimization advice.

And thanks to Len Wein, Bernie Wrightson, Alan Moore, John Totelben, Stephen Bissette, Jamie Delano, Garth Ennis and all the other creators whose work inspired this site.

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Welcome to the Bog!

This website was created to chronicle the saga of the "muck-encrusted mockery of a man" known as the Swamp Thing. Now I've expanded it to include its spinoff titles, Hellblazer and The Un-Men.

All four
Swamp Thing incarnations have been added, along with guest appearance in other titles. As for Hellblazer, I've chronicled the Jamie Delano run and am almost done breaking down the Garth Ennis years. To access the timeline, click here or choose an era at left.

I've also added a new feature, "In the Swamplight," showcasing individual issues related to the Swamp Thing saga. Click the image to the right to read a synopsis of the spotlighted story, as well as view issue credits, trivia, a larger version of the cover image and more.


LATEST ADDITION: The House of Secrets #140
House of Secrets Issue #140



What's New Bayou?


Sexual Harassment Is a Disgrace to the Comics World
August 16, 2008

Thanks to yesterday's entry at Mike Sterling's Progressive Ruin, I learned of an essay posted at the Bully Says: Comics Oughta Be Fun! blog, discussing a very disturbing situation that took place at the recent San Diego Comic Con. This is a very serious matter, folks, and so I am doing my part to help disseminate Bully's essay around the Internet. Please read the following and pass it on, because we all need to make sure this sort of thing doesn't continue to happen. And if you decide to repost it on your site as well, please e-mail Bully (care of his human friend John) and let him know so he can add you to the list of those standing with him in solidarity. Here's the essay...


A serious note.

Hello, everyone. John here. I "help" Bully out with his blog, but there's some things can't be said in the voice of a little stuffed bull.

A couple weeks ago at San Diego Comic-Con incidents of sexual harassment were confided to me and I overheard others. I wanted to write about it but was uncertain whether Bully's blog was the proper place. After much thought and discussions with friends and colleagues I've decided to post it here:

Overheard at San Diego Comic-Con while I was having lunch on the balcony of the Convention Center on Sunday July 27: a bunch of guys looking at the digital photos on the camera of another, while he narrated: "These were the Ghostbusters girls. That one, I grabbed her ass, 'cause I wanted to see what her reaction was." This was only one example of several instances of harassment, stalking or assault that I saw at San Diego this time.

1. One of my friends was working at a con booth selling books. She was stalked by a man who came to her booth several times, pestering her to get together for a date that night. One of her co-workers chased him off the final time.

2. On Friday, just before the show closed, this same woman was closing up her tables when a group of four men came to her booth, started taking photographs of her, telling her she was the "prettiest girl at the con." They they entered the booth, started hugging and kissing her and taking photographs of themselves doing so. She was confused and scared, but they left quickly after doing that.

3. Another friend of mine, a woman running her own booth: on Friday a man came to her booth and openly criticized her drawing ability and sense of design. Reports from others in the same section of the floor confirmed he'd targeted several women with the same sort of abuse and criticism.

Quite simply, this behavior has got to stop at Comic-Con. It should never be a sort of place where anyone, man or woman, feels unsafe or attacked either verbally or physically in any shape or form. There are those, sadly, who get off on this sort of behavior and assault, whether it's to professional booth models, cosplayers or costumed women, or women who are just there to work. This is not acceptable behavior under any circumstance, no matter what you look like or how you're dressed, whether you are in a Princess Leia slave girl outfit or business casual for running your booth.

On Saturday, the day after the second event I described above, I pulled out my convention book to investigate what you can do and who you can speak to after such an occurrence. On page two of the book there is a large grey box outlining "Convention Policies," which contain rules against smoking, live animals, wheeled handcarts, recording at video presentations, drawing or aiming your replica weapon, and giving your badge to others. There is nothing about attendee-to-attendee personal behavior.

Page three of the book contains a "Where Is It?" guide to specific Comic-Con events and services. There's no general information room or desk listed, nor is there a contact location for security, so I go to the Guest Relations Desk. I speak to a volunteer manning the desk; she's sympathetic to the situation but who doesn't have a clear answer to my question: "What's Comic-Con's policy and method of dealing with complaints about harassment?" She directs me to the nearest security guard, who is also sympathetic listening to my reports, but short of the women wanting to report the incidents with the names of their harassers, there's little that can be done.

"I understand that," I tell them both, "but what I'm asking is more hypothetical and informational: if there is a set Comic-Con policy on harassment and physical and verbal abuse on Con attendees and exhibitors, and if so, what's the specific procedure by which someone should report it, and specifically where should they go?" But this wasn't a question either could answer.

So, according to published con policy, there is no tolerance for smoking, drawn weapons, personal pages or selling bootleg videos on the floor, and these rules are written down in black and white in the con booklet. There is not a word in the written rules about harassment or the like. I would like to see something like "Comic-Con has zero tolerance for harassment or violence against any of our attendees or exhibitors. Please report instances to a security guard or the Con Office in room XXX."

The first step to preventing such harassment is giving its victims the knowledge that they can safely and swiftly report such instances to someone in authority. Having no published guideline, and indeed being unable to give a clear answer to questions about it, gives harassment and violence one more rep-tape loophole to hide behind.

I enjoyed Comic-Con. I'm looking forward to coming back next year. So, in fact, are the two women whose experiences I've retold above. Aside from those instances, they had a good time at the show. But those instances of harassment shouldn't have happened at all, and that they did under no clear-cut instructions about what to do sadly invites the continuation of such behavior, or even worse.

I don't understand why there's no such written policy about what is not tolerated and what to do when this happens. Is there anyone at Comic-Con able to explain this? Does a similar written policy exist in the booklets for other conventions (SF, comics or otherwise) that could be used as a model? Can it be adapted or adapted, and enforced, for Comic-Con? As the leading event of the comics and pop culture world, Comic-Con should work to make everyone who attends feel comfortable and safe.



This sort of behavior is simply unacceptable, and an embarrassment to the entire comic-book fan community. Please help Bully, John, me, Mike and others spread the word, either by forwarding others a link to the essay, or by adding it to your own blogs or websites.






Roots of the Swamp Thing Is Going Dark
June 17, 2008

Well, it'll probably come as no surprise to anyone reading this, but I've not been motivated to update the site in a while. I've tried to add new material on a regular basis, and to keep the calendar up to date, but I've been less than successful. I've been taking a break from comic books, and my attention has been on other aspects of my life—not the least of which are my wife and kids.

I should be back later this year, once my batteries have had a chance to recharge, at which time I hope to get back to updating the timeline and the "In the Swamplight" section. In the meantime, thanks for all your support, dear readers...and stay green.



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This website is for entertainment purposes only.
Swamp Thing, Hellblazer and The Un-Men are
the properties of DC/Vertigo Comics. No
copyright infringement is intended.
Roots of the Swamp Thing
© 2007 Rich Handley


Who writes this stuff, anyway?